How a musician views piracy and streaming

In May I was in New York at an academic conference and had time to spend with my son, Patrick Breiner, a jazz saxophonist.

I wanted to hear what he had to say about the economics of the music business from his perspective. He ended up talking more about relationships than economics.

Patrick says that in the digital world, the connection between the artist and their work is intangible. So the act of downloading the work for free "doesn't feel the same as taking a physical thing from a store or a person."

"When you download content for free, at least in my experience, my relationship to that content is cheapened."

Patrick, 32, says he has downloaded lots of material for free from libraries and other sites, and never listens to it. On the other hand, the music he has bought and literally invested in -- whether from streaming services, CDs, or vinyl albums -- "I listen to all the time." 
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